« We have always sought to tell stories through objects, rather than design functional furniture. »
Elizabeth Garouste (born in 1946) and Mattia Bonetti (born in 1952) form one of the most influential duos in the history of contemporary design. From the early 1980s onwards, they challenged the conventions of furniture design, developing a poetic, theatrical and deliberately unconventional universe that stood in stark contrast to the prevailing minimalism of the time. Drawing inspiration from Art Brut, Surrealism, the decorative arts and traditional craftsmanship, their creations combine wrought iron, bronze, carved wood, resin, parchment and gold leaf in an instantly recognisable formal language.
Iconic works such as the Chaise Barbare, Chaise Prince Impérial and Table Rocher are now regarded as collectible design icons. The Ketabi Bourdet gallery presents a selection of historic pieces by the duo, offering a testament to their profound influence on the revival of French design in the 1980s.
« We wanted to create objects that evoke emotion before serving a function. »
Elizabeth Garouste and Mattia Bonetti are among the designers who profoundly reshaped French design from the 1980s onwards. Their collaboration began in 1980, with the design of Le Privilège, a restaurant and club located within the Palace in Paris, then one of the most emblematic venues on the Parisian cultural scene. This first project already revealed a singular universe in which furniture became a vehicle for a free, theatrical and resolutely anti-minimalist imagination.
At a time when international design favoured clean lines, industrial materials and functional rationality, Garouste & Bonetti championed a radically different aesthetic. Drawing on references to the Baroque, Surrealism, tribal arts, literature and the decorative arts, their creations celebrate irregularity, colour, fantasy and the richness of materials. Each piece of furniture becomes a narrative, a functional sculpture in which wrought iron, bronze, carved wood, resin, ceramics and gold leaf engage in dialogue with exceptional craftsmanship.
Their work quickly attracted the attention of collectors, institutions and leading fashion houses. They designed, among other projects, the interiors of Christian Lacroix boutiques, and developed projects for Nina Ricci, Daum and Gien, as well as numerous private interiors. Their works, produced as unique pieces or limited editions, soon became major references in collectible design. Among their best-known creations are the Chaise Barbare, Table Rocher, Canapé Mars and Chaise Prince Impérial, now held in major public and private collections.
In 1991, the duo received the Designer of the Year award at the Salon International du Meuble de Paris. Their works gradually entered the collections of the Centre Pompidou, the Victoria and Albert Museum in London, the Guggenheim Museum in New York and numerous international institutions, cementing their place among the leading figures of late 20th-century design.
Although Elizabeth Garouste and Mattia Bonetti pursued separate careers from the early 2000s onwards, their collaboration remains one of the most influential chapters in the history of contemporary design. Their visual language continues to inspire new generations of designers through its formal freedom, its embrace of the decorative arts and its rejection of aesthetic conventions.
The Ketabi Bourdet gallery champions this exceptional legacy by presenting historic works by the duo, including some of their most emblematic creations. Through its exhibitions and participation in leading international design fairs, the gallery contributes to renewed recognition of the importance of Garouste & Bonetti in the emergence of contemporary collectible design.
SELECTED BIBLIOGRAPHY
- Garouste & Bonetti, Les Presses du Réel
- French Design 1960–1990
- 20th-Century Furniture
- Publications including Domus, Wallpaper , Architectural Digest, Artpress and Connaissance des Arts
PUBLIC COLLECTIONS
- Centre Pompidou, Paris
- Victoria & Albert Museum, London
- Guggenheim Museum, New York
- Mobilier national


