Overview

« I never draw from a plan. I let the forms emerge as I go. »

 

Elizabeth Garouste (born in 1946) is a French artist and designer whose work occupies a unique place in the history of contemporary design. Known for forming, with Mattia Bonetti, one of the most influential duos of the 1980s, she has, since the early 2000s, developed an independent practice in which furniture, drawing, sculpture, ceramics, and masks freely interact. Her universe, shaped by fairy tales, mythology, Art Brut, and poetry, gives rise to unique pieces made from resin, wrought iron, ceramics, or plaster, in which the object becomes a character. Represented by Ketabi Bourdet gallery, Elizabeth Garouste continues to pursue a profoundly free practice today, situated at the intersection of design, sculpture, and the decorative arts.
Works
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  • Applique Masque 10
    Applique Masque 10
  • Applique Masque 7
    Applique Masque 7
  • Applique Masque 8
    Applique Masque 8
  • Applique Masque 9
    Applique Masque 9
  • Applique poisson
    Applique poisson
  • Console Corail
    Console Corail
  • Console Marée
    Console Marée
  • Coupe Nacre
    Coupe Nacre
  • Dessin 3
    Dessin 3
  • Guéridon Coralia
    Guéridon Coralia
  • Guéridon Poulpe
    Guéridon Poulpe
  • Lampadaire Nautile
    Lampadaire Nautile
  • Masque 11
    Masque 11
  • Méridienne Atoll
    Méridienne Atoll
  • Miroir Fucus
    Miroir Fucus
  • Paire de bougeoirs Étoiles de mer
    Paire de bougeoirs Étoiles de mer
  • Table basse Betty
    Table basse Betty
  • Vase Alaria
    Vase Alaria
  • Tapis Végétation
    Tapis Végétation
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Biography

Elizabeth Garouste (born in Paris in 1946) is a French artist and designer whose work has profoundly shaped the history of contemporary design. After studying at the École Camondo, she turned to interior architecture before collaborating with Gérard Garouste on several scenographic projects, notably for Le Palace, a major centre of Parisian artistic and cultural life in the late 1970s. It was in this context that she met Mattia Bonetti, with whom she went on to form one of the most emblematic duos in French design.

From the 1980s onwards, Garouste & Bonetti developed a distinctive visual language that broke with the prevailing functionalism and minimalism of the time. Drawing inspiration from the Middle Ages, non-Western art, Surrealism, fairy tales, and the decorative arts, they revived materials such as wrought iron, bronze, and parchment, creating furniture in which each piece possesses a narrative dimension. Works such as the Chaise Barbare, the Chaise Prince Impérial, and the interiors created for Christian Lacroix are now considered among the major works of collectible design.

From the early 2000s onwards, Elizabeth Garouste pursued an entirely personal practice. Rather than simply extending the aesthetic of the duo, she developed a more intimate universe in which drawings, sculptures, masks, tapestries, lighting, and furniture interact with the same formal freedom. Often made by hand, her works give rise to an imaginary fauna populated by hybrid figures, vegetal creatures, and characters emerging from a deeply poetic inner world.

Drawing occupies a central place in this practice. Created without preparatory sketches, her drawings directly inform her sculptures, furniture, and objects. Wrought iron, resin, ceramics, and plaster become natural extensions of her graphic gesture. Elizabeth Garouste readily embraces the position of a craftsperson, privileging making, materiality, and experimentation over a strictly industrial approach to design.

Alongside her artistic practice, in 1991 she founded the association La Source with Gérard Garouste, an organisation that uses artistic creation as a means of engaging children and people experiencing social vulnerability. This human dimension has accompanied her practice for more than thirty years.

Since 2024, Ketabi Bourdet gallery has supported this new period of her work through solo exhibitions, international art fairs, and extensive research dedicated to her recent creations. Following Escapades, the gallery presents Au fil de l'eau, its second solo exhibition devoted to Elizabeth Garouste, bringing together her drawings, masks, and furniture inspired by the marine world.

Press
Exhibitions
Bibliography

Selected Bibliography

  • Elizabeth Garouste, Norma.
  • Garouste & Bonetti, Les Presses du Réel.
  • Beaux Arts Magazine.
  • Architectural Digest.
  • Wallpaper.
  • Marie Claire Maison.

 

Public Collections

  • Centre Pompidou
  • Mobilier national
  • MAD Paris
  • Victoria & Albert Museum (œuvres du duo)
  • Numerous international private collections.
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